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Creepy Archives Volume 1, by Various
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Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. Dark Horse Comics further corners the market on high quality horror storytelling with one of the most anticipated releases of the decade, a hardcover archive collection of legendary Creepy Magazine. This groundbreaking material turned the world of graphic storytelling on its head in the early 1960s, as phenomenal young artists like Bernie Wrightson and Neal Adams reached new artistic heights with their fascinating explorations of classic and modern horror stories. *Brilliant, classic Creepy stories from 1964-1966 raised from the dead after twenty-five years. *Featuring work by such comics luminaries as Joe Orlando, Al Williamson, Alex Toth, and Frank Frazetta. * Archive editions of Creepy will be the cornerstone of any comic-book library. *Volume One reprints the first five terrifying issues of the magazine's original run, reprinted in the original magazine size!
- Sales Rank: #263839 in eBooks
- Published on: 2008-08-26
- Released on: 2008-08-26
- Format: Kindle eBook
From Booklist
Creepy was a 1960s effort to recapture the spirit of the beloved EC horror comics of the 1950s that, by publishing in larger magazine format, ducked the Comics Code imposed to quiet public outcry over precisely such lurid fare as the EC horrors. Creepy hewed as closely as possible to the EC model, rounding up many of the line’s most talented artists, including Al Williamson, Jack Davis, Reed Crandall, and Joe Orlando, and using a comically grisly host to introduce the tales à la EC’s Crypt-Keeper. The magazine sported lush, eye-grabbing covers by painter Frank Frazetta, who became one of the most acclaimed sf-fantasy artists. Creepy arguably outdid its inspirers. The scripts, mostly by editor Archie Goodwin, were less text-heavy than EC’s, and the black-and-white printing and larger page size showed off the detailed artwork to fuller advantage. Creepy and its stablemate Eerie would soon augment the EC-veteran contributors with other artists as good. The brilliant Alex Toth appears in the last of the issues reprinted here, and forthcoming volumes will spotlight more top talent. --Gordon Flagg
About the Author
Frank Frazetta has worked for DC Comics, painted covers for Tarzan of the Apes, Battlefield Earth, Famous Funnies, and won the Hugo, World Fantasy, and Spectrum Grandmaster awards. Still one of the most collected fantasy artists in the world, Frank lives in Pennsylvania.
Reed Crandall (1917 1982, Indiana) is best known for his art for EC and later Warren's horror, crime, war, and adventure comics; he also contributed to Flash Gordon in the 1960s. Some of his more family-friendly work was featured in the Classics Illustrated and Treasure Chest series; he drew the Buster Brown comics for Buster Brown shoe stores for many years. He attended the Cleveland School of Art in Ohio, graduating in 1939, and served briefly in the Air Force during WWII which served him well as one of the primary artists for the aviator-team comic Blackhawk. Crandall was inducted into the Jack Kirby Hall of Fame in 1998 and the Will Eisner Hall of Fame in 2009.
JACK E. DAVIS is the award-winning illustrator of many wildly funny picture books, including Yo-yo Man by Daniel Pinkwater, Sweet Tooth by Margie Palatini, and Monster Goose by Judy Sierra. He lives in Port Townsend, Washington.
Most helpful customer reviews
60 of 63 people found the following review helpful.
Exceeds Expectations
By Kindle Customer
OK well I admit I am a kid at heart. I've been around for half a century, and I read about 30 books every year, but when I heard Creepy was coming out in book form ... well, I haven't been this excited since I bought (stole?) my first Playboy back in 1970.
Then I went to a bookstore and looked at some of the so-called competition. I won't name names, but the compilation of horror comics I looked at was disheartening: cheap paper stock, bad reproduction, small pages. So, when I pre-ordered this book, I was expecting a letdown.
Not ... to ... worry.
Creepy Archives came in the mail today, and I couldn't be happier (I know, I know, this sounds like a publisher sales pitch; it's not).
The paper stock is thick, shiney, and much better than the originals way back in the early '60s. The reproduction is excellent. Page size is the same as the original. And -- completely unexpected -- each of the first five covers (Frazetta, gotta love him) is reproduced in glorious living color.
But of course, all of this is secondary to the main point -- the genius of Frazetta, Archie Goodwin, Reed Crandall, et al. The artwork and stories are unparalled for this kind of work.
Can you tell I'm a happy hiker today?
59 of 66 people found the following review helpful.
At last.
By M J Heilbron Jr.
At last.
A cultural touchstone for thousands of young kids from the 60's and 70's has made its' way to the archive bookshelf, and that "touchstone" is Creepy Magazine.
Being, purportedly, a "grown-up" now, I realize that the Warren magazines like Creepy and Eerie were the sequela to the EC phenomenon. But back then, I was the wrong age for EC. Didn't know they even existed. I was absolutely the right age for Creepy. I devoured them right along with my Spider-man and X-men comics.
If you have ventured this far into the review, I suspect you:
1) have this fizzy glee after reading the words "Creepy Archives" and "now in stock".
2) have this carbonated sizzle in your brain noticing the words, 'volume ONE.'
3) are immediately recollecting those lazy days of reading and re-reading these amazing stories coupled with black and white artwork so good...so evocative...that whole color schemes formed in your skull. Sounds. Odors. These were mini-movies that we replayed over and over again.
4) are wondering if those glorious ads are included. Well, so far, they are. They were an essential part of that Warren experience. Leaving them out would be like leaving the jelly off a PB& J sandwich. It doesn't ruin the meal, but you don't get the intended flavor. It just wouldn't BE "Creepy" without them.
The book itself is lovely. The covers are reproduced in vivid color. The size of the book is at least as big as the original magazine; it somehow appears larger. The artwork is sharp and laser precise. I found myself admiring details that as a kid, you simply aren't that aware. Better said, I knew great art when I saw it when I was 9 or 10, but now I can see why I thought that.
A side effect of traveling back in time to when this sort of stuff occupied a significant portion of my free time, is that associated memories come flooding back. A certain type of candy bar that I liked at the time. The smell of model glue. The popular songs on the radio from that era. Those trips to South America to visit my extended family.
Like it or not, "Creepy" was around for a big chunk of my childhood. I have boxes of them stored in Mylar in storage somewhere.
This magnificent, luxuriously produced edition, has brought back wonderful memories, and at the same time has allowed me to further appreciate this singular phenomenon.
Dark Horse...bravo on a remarkable addition in the archiving of comic history.
Don't you DARE stop now!
17 of 18 people found the following review helpful.
Finally - they're back!
By T-Bone
I was eight years old when I first read Creepy Magazine, then later Erie and Vamperella -talk about growing up fast! Creepy featured all the greats such as Frazetta and Wally Woods, professionally inked and shadowed in black and white. The intent was to scare and entertain with short stories featuring your sarcastic host Uncle Creepy -reminiscent of Tales from the Crypt. Just like in the movie Blade Runner, the visual aspect was so detailed, I found myself reading them over and over again. Many of the stories are predictable, but I fancy the thought of movies or T.V. shows we see today were inspired by these quaint little plots and characters. This hardback edition includes issues 1 through 5 with color covers and old advertisements - just like the originals. This is a wonderful treat for those nostalgic fans of fantasy or those who are a little afraid to unpack their collectibles. I hope they continue reproducing all the Warren Publishing Mags in the same quality binding and print.
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