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The Art Forger: A Novel, by B. A. Shapiro
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Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas.
- Sales Rank: #4871 in eBooks
- Published on: 2013-05-21
- Released on: 2013-05-21
- Format: Kindle eBook
Amazon.com Review
Guest Essay by B.A. Shapiro, Author of The Art Forger
I'm a cowardly writer. Some writers sit down and begin a novel without knowing where it will end, trusting the process to bring their story to a satisfying conclusion. But not me. I don't have the courage to begin a book until I know there's an end--and a middle too. I need an outline that allows me to believe my idea might be transformed into a successful novel. Some writers need a working title; I need a working plot. Which is why it takes me so damn long to get from that first glimmer of an idea to a complete manuscript.
The Art Forger was no different. The first time I encountered art collector and museum founder Isabella Stewart Gardner in 1983, I fell in love. I wanted to hang out with her, walk lions down Boston streets with her, buy famous paintings, and do all kinds of outrageous things that would scandalize the stuffed shirts around us. But, alas, she died in 1924. I dismissed the idea of a "Belle" novel because she intimidated me--see, more cowardice--but I never forgot her.
Then in 1990, she burst on the scene, or at least her namesake, Boston's Isabella Stewart Gardner Museum, did, when two men dressed as police officers bound and gagged two guards and stole thirteen pieces of art, including Rembrandt's Storm on the Sea of Galilee, Vermeer's The Concert, and works by Degas and Manet from the collection. Now, I thought, now I might just be able to make it work.
But despite the media taking the theft international, suspects who ran the gamut from the Mafia to the Vatican, and the lack of any arrests, I just couldn't find my story. What could Belle possibly have to do with a heist seventy years after her death? How could I write a book about a robbery that hadn't been solved? What if it was solved before I was finished--or worse just after I'd completed it--and the real solution was nothing like mine? Cowardly writer that I am, I put the idea back in the drawer.
Nineteen years later, the mystery of the Gardner heist still hadn't been solved, and Belle was still haunting me. I read half a dozen biographies and hundreds of letters, and I scoured the Internet. I was thinking I might do something like Irving Stone or Gore Vidal would, writers whose books I loved, and considered a fictionalized biography. But embracing the entirety of Isabella Gardner's action-packed life was too daunting--some things never change--so, once again, Belle was shelved.
Around this time I began taking a series of art courses that toured galleries and museums with a well-known artist for a guide. She opened my eyes, not just to the wonder of what we were seeing, but to the complicated worlds of creating, collecting, curating, and selling works of art. I also developed a fascination with art theft and art forgery. Now, I thought, now I really might have my Belle book. So I wrote synopses, created plot charts, developed character sketches, then scratched it all and did it again. I was growing closer, but the pieces weren't all quite there; something was missing: I couldn't see the end.
Simultaneously, I was struggling with writing and wondering if I should just give up the whole endeavor. One day, as I was ruminating on how difficult life was for anyone in the arts and feeling more than a bit sorry for myself, my missing link appeared in the form of a question: What would any of us be willing to do to secure our ambitions? Unknown artists, famous artists, collectors, brokers, and gallery owners? Me? Belle?
So I expanded my cast of characters and gave each one a temptation their egos couldn't resist, including a struggling artist willing to make the ultimate Faustian bargain, and then I added them to the mix of art theft, art forgery, the Gardner Museum heist, and, of course, my buddy Belle. Suddenly, just like the Cowardly Lion, who became brave when he had his medal, I became brave when I had my plot. The Art Forger is the result.
Review
"Gripping." --O, The Oprah Magazine
"Precise and exciting . . . Readers seeking an engaging novel about artists and art scandals will find “The Art Forger” rewarding for its skillful balance of brisk plotting, significant emotional depth and a multi-layered narration rich with a sense of moral consequence.”—The Washington Post
“If Bridget Jones’s Diary and The Da Vinci Code had a love child, this would be it.”—Elle (Reader's Panel Reviewer)
“Ingeniously and skillfully plotted.”—The Huffington Post
"A cleverly plotted art-world thriller/romance . . . . convincingly researched, engaging storytelling. Intelligent entertainment." --Kirkus Reviews
"Filled with delightful twists, turns, and ruminations on what constitutes truth in art." --Publishers Weekly
"By page two of this novel, the reader is fully engrossed into the world of struggling artist Claire Roth, nicknamed "The Great Pretender" who copies famous paintings for a website called Reproductions.com . . . A highly recommended debut that would be great for book discussion groups." --Library Journal
"Classy and pleasurably suspenseful . . . an entrancingly visual, historically rich, deliciously witty, sensuous, and smart tale of authenticity versus fakery in which Shapiro artfully turns a clever caper into a provocative meditation on what we value most." --Booklist
(Review ) Review
“A clever, twisty novel about art, authenticity, love, and betrayal. B. A. Shapiro knows about Degas, and she knows about art theft and forgery, and she also knows how to tell a gripping story.”
—Tom Perrotta
Most helpful customer reviews
92 of 98 people found the following review helpful.
Still Wondering About the Isabella Stewart Gardner Museum Heist?
By Barbara J. Mitchell
There was no way I would miss this wonderful novel. For one thing, book bloggers I trust loved it. Secondly, I spent a lovely day in the Isabella Stewart Gardner Museum in Boston long ago, before thieves made off with art worth about $500 million today, and I was completely taken with this sort of quirky museum founded by a sort of quirky rich lady.
The story wasn't quite what I expected but that's a good thing. It doesn't involve the thefts directly but that's always in the background informing the plot. This is about a struggling young artist who is brilliantly talented but has been caught up in unfortunate circumstances due to love gone wrong. Claire Roth is her name. She makes a living, such as it is, copying great paintings for a reproduction company.
Then Claire makes a Faustian bargain with an art gallery owner who promises to produce her first show. She believes fervently that what she is doing is legal but it sets her off on a search for a real Degas that she believes has been forged. The plot is complex and so is the art technique she eventually uses but it isn't at all difficult for this non-artist to follow. I thoroughly enjoyed learning about painting.
Highly recommended reading.
Source: Amazon Vine - thank you.
141 of 166 people found the following review helpful.
Interesting--I learned so much about art forgery!
By G. Kellner
Claire works for Reproductions.com, copying works of Old Masters for sale to well-to-do clients who can't afford the original. A gallery owner makes a deal with her--copy Degas's "After the Bath-5"--the painting that was stolen in an art heist in 1990 and has never been seen since and he'll give her her own show at his gallery. Claire, who has been blackballed in the art world over a work by her professor/ex-lover, jumps at the chance. He brings her the original--the stolen painting. Only--Claire figures out it's a copy as well. There's more to the story, but that's the gist--I don't want to give it all away. I did learn a lot about art forgery and about painting in general. I also liked learning about the insular little art world and the people that populate it. A good bit of history as well, although we find out later there was no "After the Bath" part 5--Degas' Bath series ended with 4. But it definitely kept my attention and made me feel cultured and sophisticated.
27 of 29 people found the following review helpful.
Is it art?
By Amazon Customer
This book had enough going for it to keep me reading, but it isn't especially good literature. What it does have is lots of technical information about painting and forgery that is pretty interesting. If I weren't an art lover and museum enthusiast, I would have put this book down. The characters are 2 dimensional, normally the case in a plot-driven novel. The main character, Claire, is especially hard to take. As another reviewer pointed out, she is just too much of a super hero to believe. "The Art Forger" isn't really an especially good thriller. I would only recommend it on the merits of its art-related content.
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