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There and Back Again: J R R Tolkien and the Origins of The Hobbit, by Mark Atherton
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‘Even the smallest person can change the course of the future.’ Addressed to Frodo as he prepared to travel from Lothlórien to Mordor to destroy the One Ring, the prophetic words of Galadriel in the film The Fellowship of the Ring are just as pertinent to J R R Tolkien’s own fiction. For decades, hobbits, elves, dwarves, dragons and the other fantastical creatures of Middle-earth have captured the imaginations of a fiercely loyal tribe of readers, all enhanced by the immense success of Peter Jackson’s films: first The Lord of the Rings trilogy, and now his new The Hobbit. But for all Tolkien’s global fame and the familiarity of modern culture with Gandalf, Bilbo, Frodo and Sam, the sources of the great mythmaker’s own mythmaking have been neglected. Mark Atherton here explores the chief influences on The Hobbit: Tolkien’s boyhood in the West Midlands; the landscapes and seascapes which shaped his
mythologies; his formative experiences in the First World War; his studies in Norse mythology and medieval English literature; his love of language and dialect, and proverb and saying; his literary friendships, especially with C S Lewis and the Oxford-based Inklings; and the relevance of his themes, especially ecological themes, to the present-day.
There and Back Again offers a unique guide to the varied inspirations behind Tolkien’s life and work, and sheds new light on how a legend is born. Essential reading for all those who love and admire the rich and complex topographies of Middle-earth, the book will also have great appeal to students of literature, history and myth. It is the first to show in depth from where Tolkien drew creativity, and how these myriad resources inspired him to craft the most
remarkable fantasy novels ever written, densely packed with fauna from another world.
- Sales Rank: #1172820 in eBooks
- Published on: 2012-08-20
- Released on: 2012-08-20
- Format: Kindle eBook
Review
*When J R R Tolkien died in 1973, his friend and academic colleague C S Lewis praised his 'unique insight at once into the language of poetry and into the poetry of language'. Generations of readers have responded to the power, precision, and delicacy of J R R Tolkien's linguistic imagination. This absorbing new study of The Hobbit brings a philologist's eye to that work's creation, structure, and expression, positioning it within the broader development of Tolkien's professional thinking about philology and the evolving mythography of his creative writings. Mark Atherton, himself what Tolkien calls 'a scholar of gramarye', imaginatively shows how Tolkien's academic interests in philology, linguistic-aesthetic and in reconstructive philology spilled over into the crucible of his own mythography, and was catalysed by the alchemy of his own reading in myths and contemporary fairy stories by writers such as William Morris, Edward Thomas, Francis Thompson and Robert Graves. This book gives them new ways of appreciating the interplay between his narratives and the linguistic enchantment of their imaginative world. Atherton's insights bring to mind Tolkien's own comment: 'How those old words smite one out of the dark antiquity!' * – Vincent Gillespie, J R R Tolkien Professor of English Literature and Language, University of Oxford
‘Mark Atherton’s treatment of one of the most famous books of the twentieth century is timely and welcome. On the face of it, The Hobbit appears an engaging fantasy adventure for young readers; but, as it later transpired, Mr Bilbo Baggins' exploits *there and back again* were simply a prelude to the apocalyptic drama that was to unfold in The Lord the Rings. One reason for the enduring appeal of both of these works is that J R R Tolkien imbued his tales of a fictional realm with resonances of ancient themes and universal truths. In this detailed exploration, Mark Atherton provides the reader with a comprehensive understanding of the many origins, influences and inspirations – biographical, historical, geographical and literary – that, combined with a unique imagination, resulted in the crafting of a new mythology.’ – Brian Sibley, author of The Lord of the Rings: The Making of the Movie Trilogy and of Peter Jackson: A Film-maker’s Journey
*There and Back Again is essential reading for all Tolkien fans - and also for anyone interested more broadly in medievalism, or the ways in which later writers have responded to the culture of the Middle Ages. Mark Atherton is that ideal combination: a reader and critic deeply appreciative of Tolkien's literary artistry, his imaginative scope and his linguistic invention, who is also, like Tolkien himself, a distinguished scholar of medieval language and literature. In this highly readable and accessible study, Atherton brings his own scholarship to bear on Tolkien's sources for The Hobbit, and in the process illuminates the whole of Tolkien's remarkable oeuvre.* - Heather O'Donoghue, Vigfusson Rausing Reader in Ancient Icelandic Literature & Antiquities, University of Oxford
About the Author
Mark Atherton is lecturer in English Language and Literature at the University of Oxford. He is the author of Teach Yourself Old English/Anglo Saxon and contributed to A Companion to J.R.R. Tolkien.
Most helpful customer reviews
11 of 14 people found the following review helpful.
There and Back Again
By Carol Reed
This book isn't for the casual reader. It goes into extreme detail of the origins of words and ideas found in Tolkien's works, and compares these works to the works of others. Sheer stubbornness is all that kept me reading this. If you're interested in the origin of words and ideas, this book does a very thorough search into these things.
2 of 2 people found the following review helpful.
An Analysis of the Hobbit
By S. Cranow
This book offers probably the most in depth look at the writing of “The Hobbit “ and “Lord of the Rings” Instead of offering the reader another biography of Tolkien, the author goes way behind the scene and offers us a view of what really inspired Tolkien’s writing. Such influences would include literary influences, life time experiences and his interest in philology or the study of languages.
The first two parts of the book kept me glued but the third and final part had me reading on in pain. Way too scholarly at the end, something that perhaps only a linguistic major would appreciate.
To begin with “The Hobbit was first meant to be told a children’s tale. “Roverandon was a tale he came up with in order to comfort a child after losing a toy dog. He would grade papers at Leeds and in his boredom he would draw upon the paper and hence the idea of the Hobbit. The shire of Hobbit’s home was originally inspired by the village in which Tolkien grew up in Sarehol which is near Warwickshire. There are several literary influences for “The Hobbit” Kenneth Grahm’s “Wind in the Willow” provides an inspiration about a Ground hog who lives like Bilbo, in a hole in the ground. “Babbit” is another story of escape where in a man who works in a futuristic boring factory town escapes away with a faery princess and comes back changed. “ The Merry Land of the Snergs” features Hobbit like creatures who are sort of bungling and one of them must save two human being. Besides literatue Tolkien also drew from Norse Literature especially the idea of the ring, the dwarf list came from a work called Volupsa.
Bilbo is put in on chance adventure one which he did not ask for. The dangers takes to Rivendel where there are dragon and elves and sorts of danger. Yet Tolkien has created a world that us unique. It is a well ordered world that believes in faery like beings that could come into a story and change everything around. Tolkien offered forward a definition of a faery story. It was a story in which a man or woman would travel into the world of faery and interact. It was not the same as an animal fable or a travel story. Tolkien considered it a faery story yet it had elements of a travelogue and an animal story. Obviously Bilbo is traveling but in Tolkien’s mythos there are talking animals especially in the History of the Middle Earth Series. You have Tevildo, a talking cat,Huor a speaking hound who fights against Morgoth. Beorn who appears as a shape shifter appears in the Hobbit and he communicates with his animal servants. Beorn could be based on a Norse legend called Bothvi who was a bear warrior that struch up an uneasy alliance with a Norse Kings.
“Not green, great dragons” scolded Mabel Suffield “rather great, green dragons” a correction in grammar but never a challenge as to whether or not dragon existed. Tolkien had a great desire for dragons. Yet he did not want one in his neck of the woods. Tolkien had red and gold dragon in his works but never green ones. Tolkien oft times considerd himself a Hobbit and in the “The Hobbit” Bilbo had a similar longing for dwarves. Tolkien’s main inspiration for dragon came from Norse Mythology and The Red Fairy Book. Dragon were oft to mean green as they always horded their gold
The review can get rather exhaustive so I shall closeout and advise reading the book. I give 4 stars out of 5.
2 of 3 people found the following review helpful.
"... something which in the end they couldn't find by digging..."
By Edward Kyle Jones
Fine insight to Tolkien's hidden world by an excellent Anglo Saxon scholar!
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